Mel Gibson made his name with the Max Max films and, in Max Rockatansky, he created a character that demanded your attention. He might not say much verbally, but you understood his intent, and indeed his intensity of purpose.
Stepping into his shoes three decades later is a man who’s already made his name in intense roles elsewhere, Tom Hardy. Great casting. And with the director of the original films, George Miller, on board you feel this new version is in safe hands.
Not that you want safe from a Mad Max film, but you get the idea. With very little setup we’re straight into Max being captured by a gang of white-skinned, deformed ‘War Boys’ led by Predator look-alike Immortan Joe (Hugh Keays-Byrne). They take him back to their base of operations and, through a series of events, he meets Imperator Furiosa (Charlize Theron), fleeing the gang with Joe’s prized possessions in tow, his ‘breeders’/wives/concubines, adorned in flowing robes and all stunningly beautiful women (including supermodels Rosie Huntingdon-Whiteley and Abbie Lee Kershaw), standing out like shining lights in this apocalyptic and desolate desert world.
They flee here and they flee there. And that’s about it as far as the plot goes. But plot isn’t really what you want from a Mad Max film. You want excess, depravity, modified cars, huge explosions, deranged gangs, and a sense of a world gone to hell.
Well… You get all that and then some.
Miller looks like he’s had quite a few ideas brewing the past few decades as there’s so many detailed touches and insane concepts on the screen that you don’t quite know where to look half the time, or what to think. From large, busty women hooked up to milking machines to War Boys spraying their lips with chrome paint and getting high off Max’s blood, it’s like a shot of flaming sambuca straight in your face whilst you’re hooked up to an electric torture chair. And you’ll love it for that.
The action set pieces (of which there are many) are done with as little CGI as possible and they’re truly awe-inspiring. Filmed largely in the desert in Namibia, it must have been a nightmare for the cast and crew. Happily, their suffering was not in vain as this is one epic thrill ride. It has downtime too (although not much), so you don’t get burnout from all the mayhem.
Character wise, Theron as Furiosa is inspired. Missing half an arm and covered in black grease, she’s learnt to survive in this world and past horrors are alluded to. She gives Furiosa depth and vulnerability with a nice steely side, providing a welcome contrast to Hardy’s Max, who says very little but speaks volumes when he does.
If I had a criticism it would be that I felt Max could be a little more furious and unhinged. Even in the most dire circumstances he seems fairly calm and collected. There’s a few moments which nod to a past where he failed to protect his loved ones – and this is done in a manner which suggests he’s losing his grip on reality. More of that would have been welcomed, as we know Hardy can do method and he can definitely do madness (see Bronson), but here he seems restrained. Miller should have let him off the leash – as he did for almost everyone else on the cast.
Overall though, this is hugely entertaining, edge-of-your-seat stuff. Team this with the recently released John Wick and you’ll have one crazy night ahead of you, cinematically speaking.