The first Thor came out back in 2011, if you can believe that. And at the time it was a bit of a punt by Marvel who, until this point, had only really – successfully – thrust a decent Iron Man upon the world. Because Captain America: The First Avenger was to come later in 2011; but first the studio had some Aussie beefcake most people hadn’t heard of as the lead, along with a luvvie director (Kenneth Branagh) at the helm, putting together a flick about the God of Thunder.
What could go wrong?
Well, more importantly, what could go right?
Because Hemsworth shocked a lot of us by utterly owning the role and Branagh, considering his lack of experience in the genre, got the tone spot on, delivering action and comedy with verve and dynamism. Plus, the film was a commercial hit, which allowed Marvel to start making bigger plans to introduce a host of other characters and expand the MCU at a more rapid rate. So Thor, along with Iron Man, kinda led the way.
Moreover, if we take the team-up films, aka Avengers and Civil War off the table for a second, standalone films are probably the true measure of the strength of a character, and Thor’s sequel, The Dark World (2013), was solid enough, but perhaps suffered from ‘difficult second album’ syndrome.
Yet even an average Marvel film such as this was still a helluva lot better than most blockbusters.
So our God of Thunder weathered the storm and Marvel, as a studio, continued to read from a blueprint that the rest of us, quite frankly (wait for it), marvelled at. Because their quality with every release just kept improving, even with the odd dip, they kept upping their game and pushing the formula, lest it get stale.
This, in turn, has given us wonderful oddities such as Ant-Man and Dr Strange, and the mad, unexpected crowd-pleaser that was Guardians of the Galaxy.
And other directors have seen this, and no doubt become attracted by the prospect of a big budget and the chance to put their own stamp on a Marvel superhero.
Granted, some filmmakers with too singular a vision just couldn’t manage to adhere to the studio’s rules (Edgar Wright), but for those that did (James Gunn, Scott Derrickson) the rewards were that they produced a film audiences and critics loved, which was also a huge hit.
Which leads us to Taika Waititi.
Now for those of that haven’t seen Hunt for the Wilderpeople, get thee to your nearest TV or streaming device and watch it. For it be very funny. And most strange.
Set in New Zealand, it stars Sam Neill and some kid that’s barely acted before, and it’s offbeat and hilarious. Think Flight of the Concords/Mighty Boosh territory with a bit of Thelma and Louise thrown in and you’re halfway there.
This is what Taika brings to Marvel.
Well, that, and a large slice of Flash Gordon with lashings of retro ’80s aesthetic. I mean, the film is pretty darn cool. But in case you were worried it wasn’t cool (or weird) enough, just add more Jeff Goldblum. Or any amount of Jeff Goldblum really.
Because the man has always been about five miles left of normal, and these days he’s ripening as the years go by, like an old fruit left out in the sun. Which is actually rather delightful, as he pretty much steals most scenes.
But I digress. As usual, off topic. Rambling and setting the scene.
Let’s focus on Ragnarok.
Story and timeline wise, this film picks up two years after events in Avengers: Age of Ultron (and around the same time as Civil War and Spider-Man:Homecoming) where Thor has gone off to hunt for infinity stones. He’s introduced in a bravura first sequence involving a fire demon, a scene which rivals that of Guardians of the Galaxy: Vol. 2′s opener.
It’s kick ass, stirring stuff.
And through events involving Odin (Anthony Hopkins) Thor’s sister Hela (Cate Blanchett, having a whale of a time), the Goddess of Death, is freed after a long imprisonment.
She immediately sets out to rule Asgard and lay waste to anyone in her path – and it’s up to her baby brother to stop her.
Only problem is, he’s been waylaid on junk planet Sakaar which is ruled by the Grandmaster (Jeff Goldblum). There he’s forced into combat with the Hulk (Mark Ruffalo) – whom we last saw hightailing it away from earth in a spaceship for reasons only Hulk can answer.
So this predicament means Thor needs help to get off the planet and save his people. Luckily, this comes in the form of a Valkyrie (Tessa Thompson) whom he finds in self-imposed exile, and, of course, his brother Loki (Tom Hiddleston). Plus Hulk. So they form a team (of sorts) to take Hella on.
Basically they’re following Top Gear’s mantra of ‘ambitious but rubbish.’
Now, Marvel films are known for their in-film banter during fight scenes but this is, by some margin, the funniest the studio have put out so far. Yes, more so than Ant-Man, Guardians and any others you care to name. Again, the Taika influence is strongly felt, as he reportedly added a lot of the humour to the script once he came on board.
Hemsworth, too, wanted the tone to be lighter, and he’s clearly demonstrated why being let loose has been a blessing. Yes, the God of Thunder with his hammer and cape is all a bit silly. So why not double down on how mad it is? Additionally, if you were looking for a companion piece in the MCU, Guardian of the Galaxy wouldn’t be a bad bet.
Basically, when things get too serious or preposterous, burst the bubble with a joke.
Works every time.
This is something that DC, for all their progress (by the looks of the Justice League trailers) just don’t get. Superheroes are ridiculous, so let them be.
By and large, this will be the best time you’ll have seeing a Marvel film. Even if you’re not the biggest superhero nerd and have no idea the difference between DC and Marvel or who the Avengers are or anything like that, you’ll still have fun.
It kind of sets the bar pretty high for the forthcoming Black Panther if I’m honest. And though it’s likely that film won’t compete on humour (how can it?) it will probably take the title as the coolest Marvel film so far. From Run the Jewels on the trailer to Black Panther as a character and his homeland of Wakanda, it remains something of an exciting prospect to see how it comes together on screen.
So even without seeing it, I feel confident saying this is going to be a pretty strong year for Marvel.