Sense 8 was a show that was cruelly cut down before its time. But, thanks to a fan campaign, came back to life for a finale recently, courtesy of Netflix. And, happily, the result was a delight. Generally, in film or TV, kowtowing to fans has rarely ever given us audiences good results but, for once, in this instance, a bit of boxticking to give the show’s characters a good send-off was exactly what was needed.
The premise (and frankly, if you need this explaining you shouldn’t be watching the finale first) is that eight people across the globe come to learn that they’re psychically connected. They can communicate with one another and think and feel feelings of the others in the group, their ‘cluster’. And whilst they’re still independent people with their own agency, they’re far beyond what you or I would experience in terms of connection (physical and mental).
Which all sounds a bit, well, superhero. And perhaps in other hands this would be the case, but Sense8 is a show that’s simultaneously more cerebral yet also more grounded.
At its core, it’s about connection, acceptance, love (in many forms) and freedom of self-expression. Which we get to experience, ultimately, through the interactions the cluster have with one another.
Because, like all good shows, it has great characters that you come to love over time, and, handily, there are eight from which to choose your favourites. There’s Riley (Tuppence Middleton) an Icelandic DJ living in London; Nomi (Jamie Clayton) a hacktivist in San Francisco; Wolfgang (Max Riemelt) a safe-cracker in Berlin; Will (Brian J. Smith) a cop in Chicago; Capheus (Toby Unwumere) a bus driver in Nairobi;), Lito (Miguel Angel Silvestre) an actor in Mexico City; Sun (Doona Bae) the daughter of a businessman and an underground kickboxer in Seoul; and Kala (Tina Desai) a pharmacist in Mumbai.
Naturally, though, you have to have an overall antagonist for the eight of them to face off against. In this case it comes pre-packaged in the form of an evil organisation called BPO, who are hunting them down for experiments or something.
Basically, this part of the show doesn’t hugely matter, the thing the fans come back for, and indeed protested about when the show suddenly ended, was that they wanted to see more of the eight main characters interacting together. More interesting and inventive things they could do with their powers, more love, more sex, more of Wolfgang and Sun kicking ass, more polyamorous connections, more slow-mo shots of the whole annoyingly attractive lot of them dancing to Euro trance.
Which the show’s creator, Lana Wachowski (her sister Lily was also involved, but stepped away from the show after season one) was only too happy to give us. Yet, she understood that it couldn’t all be orgies and explosions, so she balanced it out.
We had humour, some lovely character moments and scenes (a wedding at the Eiffel Tower complete with bearded fairies for example!) and a sense of finality and closure.
And to be honest, you couldn’t really ask for more for the ending of a show that you love. Now if only Serenity could do the same thing…