Yes, I am late to the party with a ‘best of’ reviews of the films of 2018, but I like to let my thoughts settle a bit first. Reflecting on the past twelve months I think 2018 turned out to be a pretty amazing year at the cinema. Here are some of my favourites.
1. A Quiet Place
For a modern studio horror blockbuster to have the audience go silent from the off and pretty much stay that way throughout is, in this day and age, some kind of miracle. Although writer-director-actor John Krasinkski somehow managed it. He also persuaded his real life wife Emily Blunt to star alongside him, which was a canny bit of decision-making, as their chemistry elevated the film. We really felt their plight as parents desperately trying to protect their children in the face of these unrelenting monsters.
2. Avengers: Infinity War
Marvel’s cinematic universe (MCU) had been leading up to this point, this two-part finale, for over a decade now. The pressure on the Russo brothers as directors must have been immense. When it arrived though, this film, with its dozens of characters, came together effortlessly. Not only did the directors manage to juggle all these heroes, giving many some lovely little moments in which to sink their teeth, but also deliver a huge purple CGI bad guy in the form of Thanos (Josh Brolin), and have him be a credible, relatable antagonist. Bravely, even more so than The Empire Strikes Back, Thanos utterly won at the end, leaving our heroes depleted and broken.
3. Mission Impossible: Fallout
How is Tom Cruise still going? How is he still alive? Each mission he accepts as super spy Ethan Hunt just gets bigger and more impossible. And he’s in his 50s now. Honestly, he puts most of us to shame. Here Fallout brings together the last few films much like Bond’s SPECTRE tried to, although does it far better. It probably helped that Cruise brought back director Christopher McQuarrie, (the first to return for a second go at the franchise), as they seem to have a great working relationship. This is also backed up by the fact that, recently, McQuarrie has signed on to direct two more mission films, back to back.
4. I, Tonya
Telling the story of real life skater Tonya Harding, Margot Robbie puts in an outstanding performance in the lead role. The film plays out quite like Scorsese’s Goodfellas, in that it charts the rise and fall of Tonya (like it did with Henry Hill), has freeze frames where the characters break the fourth wall to speak to the audience, and comes complete with a great soundtrack. Robbie is also supported by Sebastian Stan (as Tonya’s husband), who put in a great performance. Although it’s Alison Janney as Tonya’s mother that almost steals the whole thing – or at least the scenes she’s in.
5. Black Panther
Culturally, this movie was hugely significant. It starred almost a complete pan-African cast and featured a superhero of colour as the lead. It had kick ass women (both as warriors and scientists), a cool soundtrack (by Kendrick Lamar), a layered antagonist, and helped expand the MCU beyond just stories set in America (this took place in the fictional African nation of Wakanda). Considering Ryan Coogler as director was in his early 30s and only had a few films under his belt, the end result was an astonishing achievement. Moreover, it was a blast to watch and audiences really cared about the characters.
Coming out almost a year ago (Jan 2018 in the UK) this film told the story of a boy who finds a guitar and gets transported to the land of the dead. He then has to seek out a dead musician in order to return to the land of the living. Now… this is another film by Pixar which will hit you hard in the emotional solar plexus. Much like the first few minutes of Up, or two or three times in Inside Out, every few years Pixar put out a film that becomes an instant classic. This one won two Academy awards – and deservedly so. A word of warning though, if you’ve recently lost a loved one, this will hit you especially hard. You should still watch it though, perhaps it’s even more reason to do so.
7. Three Billboards Outside Ebbing, Missouri
Writer-director Martin McDonagh can boast dark comedies In Bruges and Seven Psychopaths as part of his filmography. And whilst they’re both great (In Bruges in particular) they don’t tackle the most weighty of subjects. Then he goes and does Three Billboards (out Jan 2018 in the UK) and it blows us away. Yes it’s dark and yes it’s funny, but it’s so much more than that. It got nominated for seven Academy awards and won two of them, which is not surprising. Frances McDormand and Sam Rockwell both put in some of the best performances of their careers.
Steve McQueen as a director is astounding. His directorial debut starts with Hunger (2008), then Shame (2011), 12 Years a Slave (2013) and now Widows. Some output. Widows tells the story of a group of wives and girlfriends left to pick up the pieces after their partners all die in a heist gone wrong. It’s a tough, muscular piece that feels a lot like Michael Mann’s Heat. Although it’s not just a straight up crime movie, it juggles weighty themes throughout, mixing complex characters and commentary on societal issues with the action. Plus the cast are strong throughout: Viola Davis, Cynthia Erivo, Elizabeth Debicki, Daniel Kaluuya, Colin Farrell, Michelle Rodriguez – and all put in fantastic performances.
9. Deadpool 2
How does one top the first Deadpool movie? Add Cable, add X-Force, up the comedy, up the action, up the stakes. Introduce Peter. I appreciate a lot of this won’t make sense if you haven’t seen the movie, but if you have even a vague interest in superheroes and comedy, then it should be on your list. Morever, Deadpool as a character sits apart from the rest of the MCU heroes. He breaks the fourth wall, swears a lot, does filthy things. And forcing him to work with more overtly heroic characters like Collosus, or the more cynical ones like Cable just add to the comedy.
10. American Animals
This film is a true story, amazingly, somehow. It tells the tale of a bunch of college kids who decide to steal $12m worth of old books. They’re not criminals, so it all goes horribly wrong. Now this film feels slightly like I, Tonya in that it splices ‘to camera’ interviews of the real life guys into the narrative. This gets mixed together with interviews by two of the actors playing characters; the enthusiastic Warren (Evan Peters) and the reluctant Spencer (Barry Keoghan). Both actors put in convincing performances and the whole thing builds in a way that is hard to believe, were it not, in actual fact, a true story.