This year has been a bit of a bumper for good films. Putting together a list, yet again, I realise there are so many I haven’t seen. Here’s those that I have, a top seventeen and the order in which I liked them. Plus a rather large number that I am yet to see, but want to, and have heard good things.
1. Get Out
Off-kilter and deeply unsettling. The first two thirds of this film puts certain deeply held prejudices into stark focus. Little micro-aggressions of racism that people of colour experience, in a way that white people simply cannot comprehend. This film achieved big at the box office, from a miniscule budget – doing strong numbers in the States. Frightening, vital storytelling.
2. Thor: Ragnarok
Taiki Waititi is an odd man. This is not an understatement. His past work includes a documentary style vampire film, What We Do In The Shadows and a highly unusual road chase movie Hunt For The Wilderpeople. Then Marvel gave him a superhero sandpit in which to play. The result is Ragnarok, the funniest, strangest film to come out of a studio that’s seventeen films in.
3. Baby Driver
Edgar Wright left Ant-Man over creative differences to go and make this. Silver lining and all that, because this is, by far, Wright’s best film. It’s practically a musical, in terms of how effortlessly and brilliantly songs are weaved into its DNA. And the performances across the board are surprising and inspired. A helluva lot of fun.
4. A Monster Calls
This came out New Year’s Day 2017, so you can be forgiven for forgetting it. But you shouldn’t, because it’s one of the most emotionally affecting films I’ve ever seen. Utterly heart-breaking stuff from director Juan Antonio Bayona.
Oscar winner (eventually), this film should be on your ‘must watch’ list. A big break for director Barry Jenkins, with outstanding performances from all three leads, playing the same man at three key points in his life. Languid, dreamy, painfully well observed.
It’s nice that director James Mangold got another crack at Wolverine as a character, because he could finally create the film he wanted to create, with the studio giving him a huge amount of freedom. The result being a very much stand-alone X-Men film, but also the best Wolverine story by some distance. And a fitting send-off for Jackman in the role.
7. Guardians of the Galaxy: Vol 2
The first Guardians film had little expectation, but surprised everyone, particular in terms of comedy. And then came the difficult second album. It doesn’t quite have the emotional impact of the first film, but there’s loads of good stuff in it, and it comes darn close to topping the first.
8. Spider-Man: Homecoming
Tobey Maguire and Andrew Garfield, two chaps that had a crack at the role. Neither are as good a fit as the latest bloke, Tom Holland. It helps that this film is now part of the MCU and Iron Man’s inclusion adds a nice wrinkle to Peter Parker’s progress as a hero; in that Tony becomes a sort of surrogate father figure. Plus, Michael Keaton as a bad guy. Someone you’d want in any movie, if you can get him.
Darren Aranofsky is no stranger to controversy. He wrote this script in what he described as a ‘fever dream’, with star Jennifer Lawrence reportedly throwing it across the room after reading it and telling the director there was something wrong with him. Only to later say he was a genius. This film works on many allegorical levels and granted, it’s a tough watch, but a visceral one from an auteur filmmaker.
10. Star Wars: The Last Jedi
Coming from a background of indies such as The Brothers Bloom, Brick and Looper, Rian Johnson was an interesting choice for Disney, in terms of continuing the story of Luke, Leia and the gang with all that force stuff. It’s hugely polarised a small portion of the internet but still opened to the second biggest weekend in movie history, so it can’t be that bad. For me, I thought it was a great story and possibly the best of the new films yet.
11. Wonder Woman
Finally, DC came up with a movie that was less of a CGI-fest, although they couldn’t resist descending into this territory come the film’s final third. Luckily, the rest of the movie was more progressive and engaging, and all the fish out of water stuff with Gal Gadot’s Diana Prince was a delight. It also gave us a female superhero as the lead of a blockbuster for the first time, one that has gone on to inspire countless women and girls around the world.
12. Free Fire
Ben Wheatley, as a director, is no stranger to dark stories and messed up visuals. And he’s always had mostly a British cast to work with. As his name has grown everyone wants to work with him now, and this film represents his biggest, most A-list cast to date. So what does he do? Stick them all on the floor in a dirty warehouse crawling around shooting at each other for an entire movie. Hilarious and genius.
13. Hidden Figures
This film is about racism AND sexism. It tells the story of the amazing work done by three women of colour who worked at NASA during the space race with Russia in the ‘60s. All three were instrumental in some of NASA’s biggest achievements at the time. Definitely file under ‘feel good’ movie, but it’s also one that highlighted the true story of three women who dealt with ingrained racism and sexism in the most magnanimous, humbling way.
14. Blade Runner: 2049
Living up to the original film must be a tough gig, and it’s a brave director that takes on the challenge of giving us a sequel, but Denis Villeneuve, hot off of films such as Arrival, Sicario and Prisoners, thought himself up to the challenge. It helped that he had the legend that is Roger Deakins on cinematography duty. It’s too long, but a decent sequel and Gosling was a good fit.
15. The Lost City of Z
Based on the true story of British explorer Percy Fawcett, played by Charlie Hunnam, and his forays into South America and the Amazon in search of an ancient lost city. The film is too long, but takes its time setting everything up, and has a real Apocalypse Now feel about it at times. Recommended.
16. What Happened To Monday
Netflix release, this film went under a lot of people’s radars but it’s pretty darn good. Starring Noomi Rapace it’s a sci-fi set in a world where families are only allowed one child, due to the population. Willem Defoe’s character ends up with seven identical girls, which he names after each day of the week. On their name day they take turns going out into the world. So Monday goes to work on Monday, Tuesday on Tuesday and so on. Then Monday vanishes. It’s up to the remaining sisters to discover what happened. Outstanding performances from Rapace as all of the sisters.
Okja, this year, was one of those modern oddities, in that it was released exclusively on Netflix and featured an A-list cast, including Tilda Swinton, Paul Dano and Jake Gyllenhaal. It tells the story of a world where food is scarce so a corporation grows super pigs. A girl becomes attached to hers and fights to save it from slaughter. Directed by Bong Joon-ho it’s supremely strange but lovingly told.
There’s also a rather hefty list of films I have yet to see. These are:
The Meyerowitz Stories
Call me by your name
The Florida Project
God’s Own Country
The Shape of Water
War For The Planet of The Apes
The Death of Stalin
La La Land
John Wick: Chapter 2
Manchester by the Sea
The Love Witch
My Cousin Rachel
The Killing of a Sacred Deer
A Cure For Wellness