I don’t know what it is about stories that focus on investment banking, but I kind of dig them. Industry (2020) is an HBO-BBC co-production that focuses on a group of young, sexy graduates trying to forge their careers at a London investment bank called Pierpoint & Co.
Hands up, who’s into post-apocalyptic when it comes to movies and TV shows? I know I am. Idly browsing Netflix the other day I stumbled on a new ones, Tribes of Europa (2020). A German show, with a mix of German and English dialogue, it’s set in our world, in the near future of 2074 and after the collapse of society.
Netflix are sneaky scamps, forever banging out shows and with some hit and some miss it makes it hard to keep up and know what to watch. But when Sex Education popped up out of nowhere I immediately heard good things, so thought I’d give it a go. And I’m glad I did, it’s fantastic.… Continue reading Sex Education: can we have some more?
Sense 8 was a show that was cruelly cut down before its time. But, thanks to a fan campaign, came back to life for a finale recently, courtesy of Netflix. And, happily, the result was a delight. Generally, in film or TV, kowtowing to fans has rarely ever given us audiences good results but, for… Continue reading Sense8 finale: just what we needed
So mutants have moved to the small screen these days, with The Gifted, starring Stephen Moyer (of True Blood fame) – and it’s set in a world which runs on an alternate mutant timeline to the big screen films (although those are all over the place these days), and it’s one where the main X-Men… Continue reading The Gifted: season one review
Godless is one of the latest shows to be released by Netflix. A Western that got shopped around Hollywood as a feature film but didn’t get picked up, so writer-director Scott Frank (who penned Logan) ended up finding a home for it on the small screen, and the story went from two hours to a solid… Continue reading Godless: good, but could’ve been great
This show, about how the FBI came to profile and understand serial killers, has been on David Fincher’s radar for quite some time in various guises and, such is the way these days, has languished a bit in development hell until Netflix picked it up. Which is actually the perfect place for it. Now for… Continue reading Mindhunter: season one review
So Stranger Things, season one on Netflix a while back, arrived with some hype. But then, actually, more or less lived up to it; as it was entertaining, engaging and, pop culture wise, pretty savvy, as it tapped into our continuing obsession with the ’80s. And by tapped I mean it drank heavily from the… Continue reading Stranger Things season two: justice for Steve!
So Netflix have a new show out from the creators of ‘Orange is the New Black’. And I have to say, when I first saw it I thought it looked cool. It’s set in the 80s, everyone has big hair and bad ass neon costumes, and most of the characters are women who are trying… Continue reading Glow: ladies, wrestling and Alison Brie
In 1610, Jamestown became the first permanent English settlement in the Americas. At first, men only. Then a few years later women came, by way of being purchased as wives. In the same way one might buy tobacco at the time. Which is a decent idea for a TV show, if you think about it.… Continue reading Jamestown: season one review