Take your ass back to the trailer park – part 2

blue is the warmest colorWith Oscar season almost upon us, there’s a lot of films out now or soon that should have you racing to the cinema. From drama, action and horror to comedies and a compelling biopic, here’s my pick of marvellous movies you need on your radar.

The Monuments Men (Feb, 2014)
Based on a book of the same name, this film has caper written all over it. Comparisons will inevitably be drawn with Ocean’s Eleven, as Clooney and Damon again take centre stage. This, however, is based on a true story. Essentially it’s ‘art curators assemble!’, as an unlikely band of misfits team up to recover works of art stolen by the Nazis during the war.


Kill Your Darlings
(Dec, 2013)
Daniel Radcliffe and Dane DeHaan play Allen Ginsberg and Lucien Carr respectively; with the film focusing on the birth of the beat generation’s most well known writers: Ginsberg, Karouac and Burroughs. Despite putting in a respectable turn in The Woman in Black, Radcliffe is still – for some out there – trying to establish himself post Potter. From the looks of it he’s gone some way to achieve that. DeHaan, too, continues to establish himself as a growing talent.


Nebraska
(Nov, 2013)
Rival to Wes Anderson’s quirky crown comes in the form of Alexander Payne; the man behind Sideways and The Descendants and a director on the rise. Here he tells the tale – filmed in black and white – of Bruce Dern’s Woody Grant; a man who think he’s won a million dollars and sets off on a road trip to claim his prize. It’s already won a stack of awards and received lavish praise from critics. If you like quirky, human films it’s a must-see.


Mandela: Long Walk to Freedom
(Dec, 2013)
Actor, producer, singer, rapper… Luther! Stringer Bell! Stacker Pentecost! Is there anything Idris Elba can’t do? Apparently not as he’s now playing Nelson Mandela in this epic portrayal of the great man’s life. The film’s red carpet release coincided, tragically, with his death. In terms of the film, it looks to be a stirring affair but has received mixed reviews.


Carrie
(Nov, 2013)
Big cajones… that’s what you need if you’re going to remake a Brian De Palma classic. The 1976 original blew people away being universally praised and rightly so. So big cajones, in this case, comes in the form of Chloë Grace Moretz (fast developing as one of Hollywood’s best young female talents), Julianne Moore and director Kimberly Peirce – best known for her award winning debut Boys Don’t Cry (1999). As far as remakes go, it has promise but received mixed reviews. If you’re a fan of the original and/or Moretz, it’s worth checking out.


Her (Jan, 2014)
Here’s a brave move: take one of the most attractive women in Hollywood – one, Scarlett Johansson – and have her play a role where we only get to hear her voice. Brave or genius? Either way, it’s the sort of thing you expect from enigmatic director Spike Jonze. This film sees Joaquin Phoenix’s lonely writer develop a relationship with an operating system voiced by Scarlett. An intriguing idea – although puts me in mind Charlie Brooker’s Black Mirror, an episode called ‘Be Right Back‘ starring Hayley Atwell and Domhnall Gleeson.


The Raid 2: Berandal
(Mar, 2014)
Welsh director Gareth Evans and breakout star Iko Uwais are back with their sequel… Oh yes! The original film had a simple premise (bunch of cops get trapped in a drug lord’s tower block and have to fight their way out) and the sequel immediately picks up events from the first; with Uwais’s Rama going undercover with gangs to bust corrupt cops. Same old, same old you may say – just watch the trailer.


300: Rise of an Empire
(Mar, 2014)
THIS IS A SEQUEL! Sorry, couldn’t resist. Actually it’s a sequel, prequel and a sort of during-quel in some ways. Covering events before, during and after the 2007 original. Obviously we’ve got no Gerard Butler this time round. Filling the gap looks to be a heroine in the shape of the delicious and delectable Eva Green. What with this and Sin City 2, Eva’s star looks to be on the rise next year. A pleasing thing as she’s a mesmerising screen presence.


Blue Is The Warmest Color
(Nov, 2013)
This French romantic drama is the first film to win a Palme d’Or for both the director and lead actresses. Also the first film adapted from a graphic novel to win the award. Essentially it tells the tale of two female students who fall in and out of love. Critics have heaped praise on it with award winning director Pedro Almodovar naming it in his 12 best films of the year.

Aloha! Clooney delves deep for Descendants

the descendants clooney woodleyAfter hearing good things I recently decided to watch The Descendants and was glad I did, it’s a great film.  The first from writer-director Alexander Payne in eight years, his last being the brilliant Sideways.

In terms of plot, it tells the tale of wealthy Hawaiian lawyer and land baron Matt King (Clooney), who is trying to re-connect with his daughters – 17-year-old Alexandra (Shailene Woodley) and 10-year-old Scotty (Amara Miller) – after his wife is seriously injured in a boating accident, from which it’s unlikely she’ll recover.

Career-high performance from Clooney?

Right from the start it’s clear our George is back to his best. If he ever suffered a dip in the last few years you could argue this was The American which felt lacklustre, both in terms of his performance and the film as a whole. Incidentally, that review was one of my first blog posts.

Here, though, he goes from strength to strength in terms of performance, as Matt is required first to deal with two unruly daughters, then break the news to friends and family that his wife will never wake up. He’s then hit by a telling revelation from daughter Alexandra that drive his actions for the rest of the movie.

Payne’s middle-aged men in meltdown

Having really liked both Sideways and The Descendants, I’ve now decided I’m a fan of Alexander Payne. His films – at least those two – have a wistful, melancholic quality to them, but are sprinkled with funny, heart-warming and tender moments.

They’re also painfully well-observed, with flawed, compelling characters. From Paul Giamatti’s bitter and tortured Miles through to Clooney’s naive and wounded Matt, Payne has a knack for creating middle-aged men in meltdown.

All the praise cannot just go to Payne though, this is one of the best performances I’ve seen Clooney produce. Gone is his natural suave and poise, as he strips his character down to produce an incredibly raw, subtle and affecting performance – one that will no doubt stand out as a career highlight for years to come.