Oscars 2015: As the dust settles

So that’s the Oscars done for another year. Were they everything you expected? Did the actors and films you’d hope get recognition actually get it? And, more importantly, does it all even matter?

In answer to the last question, probably not, but industry acclaim is often (but not always) indicative of a job well done. And who wouldn’t want a big shiny award for their efforts?

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This year it seems Grand Budapest Hotel cleaned up (production design, best score, costume design, makeup and hair). As did Birdman (picture, director, original screenplay, cinematography) and Whiplash (supporting actor, film editing, sound mixing).

Eddie Redmayne took Best Actor for The Theory of Everything and Julianne Moore Best Actress for Still Alice.

So, were these all worthy winners? Were any overlooked or snubbed?

Yes, yes and yes.

There’s always going to be unhappy people come awards season, but I think Birdman perhaps did a little too well – although it does seem typical Oscar material. Last year my film of the year was Nightcrawler, which got barely a look-in, although it got a nomination for Original Screenplay and it would have been nice to see it beat Birdman, but this was a tough category and all entries there were outstanding ones.

Talking of tough categories, Best Actress was apparently a shoo-in for Julianne Moore for Still Alice. I’ve not seen the film yet but it sounds very ‘Oscar worthy’ in terms of the material and her performance. Literally all of the other nominees could have won in my book, they all were fantastic (Rosumund Pike – Gone Girl, Reese Witherspoon – Wild, Felicity Jones – The Theory of Everything, Marion Cotillard – Two Days, One Night).

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I’m pleased Redmayne took Best Actor. His performance was truly astonishing and a thoroughly affecting one as Stephen Hawking, edging out Keaton’s washed up actor trying to reinvent his career in Birdman. And out of a category with five nominated, two were Brits (the other being Cumberbatch for The Imitation Game) which was pleasing to see.

Given the experimental nature of Boyhood or the electric performances in Whiplash it would have been nice to see either take Best Picture, but losing out to Birdman is something I can grudgingly accept with a ‘well played, sir’.

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Best Supporting Actress went to Patricia Arquette for Boyhood. Now I haven’t seen the film but I’d have really liked to see Kiera Knightley take this category for her underrated performance in The Imitation Game, or perhaps Laura Dern for her tender one in Wild.

I could go on and on, but let’s stop there. To sum up, not a bad list of winners. Not too many surprises or upsets. There’s some I would have preferred to win over others, but I’m not too cut up about it all.

What was your reaction to this year’s winners and losers?

Oh, and a final note, The Lego Movie should have won for Best Original Song. In that respect, everything is not awesome.

Until next year.

On my mind… Charlize Theron

the_burning_plain19Having just watched The Burning Plain it’s become clear that we need to discuss the career of Charlize Theron. She doesn’t get anywhere near enough love (or interesting roles) and that needs to change. This isn’t an intervention or a rant. Simply put, this is a frank acknowledgement of talent.

As all the great actresses of our generation tend to do, she mixes blockbusters and smaller projects with consummate ease. Another point to mention is that, like some of Hollywood’s most beautiful actresses, she’s not afraid to remove the glamour and strip things right back, leaving little to hide behind except her performance. This is evident in Monster, but it’s also a strong theme in all of her work highlighted below. Still… I’d love to see her in more. Hollywood, it’s time to step up and send her scripts!

Anyway, here’s my pick of her best performances to date:

The Devil’s Advocate (1997)
She largely burst onto the scene here – opposite Keanu Reeves and Al Pacino – with a beautiful, tormented and captivating performance. One which set her career standard.

Monster (2003)
A deserved Oscar win for what is considered a powerhouse performance. When one of Hollywood’s most beautiful women transforms herself to this level you sit up and take notice.

North Country (2005)
Continuing a fine run of form she got a best actress nomination for this role in what some critics have argued – in some ways – was a more complex character to portray than her Oscar winning one in Monster.

The Burning Plain (2008)
Guillermo Arriaga (the writer behind Babel) directed this tale of loss and guilt and, whilst the film is somewhat confusingly edited, Theron shone in her scenes with another fine display.

Young Adult (2011)
There’s no doubt that director Jason Reitman’s tale here was both tough, tender and funny throughout. A large part of that was, once again, down to Theron, who balanced the film’s comic and tragic moments with equal skill.

Katniss and a mockingjay: the revolution will be televised

Hunger-games-catching-fire-lawrence_katniss‘Katniss Everdeen, the girl on fire.’ The same could be said of Jennifer Lawrence these days. Following her award winning performance last year, she’s got some exciting things lined up to hit the screen soon. American Hustle, reuniting her with Silver Linings Playbook director David O. Russell, is out in December which, from the trailer, looks to be a right sexy treat. It’s covered in my recent trailer blog, along with some other ones worth a look. She’s also part of the jaw-dropping cast of X-Men: Days of Future Past, comfortably slotting herself into another juggernaut of a franchise.

Then there’s The Hunger Games. One thing that struck me about the middle slot of this trilogy is just how bleak and desolate it feels. I suppose, given the three act structure of a film (setup, conflict, resolution) and extrapolating that over a three film arc (or four film arc, as the conclusion will be a two-parter), Josh Hutcherson and Jennifer Lawrence in The Hunger Games Catching Fire, a reviewthe second one will always be rife with conflict and see the antagonist flex his or her muscles to gain the upper hand. Think Empire Strikes Back and Lord of the Rings: The Two Towers.

On that note, and given the fact most of the audience will have seen the first one, this feel films tougher and more emotionally affecting than the first. Indeed, many of the characters have matured and grown wise to what life is like under this oppressive regime; off and on love interest Peeta and Katniss’s sister Primrose are typical examples. The latter calmly taking a needle from her mother’s shaking hands to sedate someone after a savage beating.

And talking of beatings, this film has them aplenty (mostly administered by soldiers looking like a cross between storm troopers and extras from a Daft Punk video).Hunger Games Catching Fire5-20131105-172 Austrian director Francis Lawrence (Constantine, I am Legend, Water for Elephants) doesn’t let up; there’s precious little in the way of light moments to lift the mood. At times I questioned the 12A certificate (there were a lot of kids in the audience at my screening). However there was minimal cause for concern, in the event of a violent act the director would invariably cut away at the last moment, something no doubt advised by the studio to make the broader kid-friendly certificate. A tactic to save kids’ sensibilities perhaps, but still psychologically affects us adults, as we can fill in the gaps.

This is only really an observation though. Lawrence has taken the reins of this franchise in able fashion, proving he can handle action, drama and quieter character moments equally well. He’s also avoided directorial flair for the most part, letting the cast grow in their roles. jennifer-Lawrence-on-fire-in-New-Hunger-Games-Catching-Fire-Trailer-3As you’d expect, the focus is by and large firmly kept on Lawrence’s Katniss – we see everything from her point of view. And rightly so, she’s not only the catalyst and linchpin for the entire story, but also a tough female protagonist, something of which we’ve not seen on the big screen in a long time.

Hence perhaps why Jennifer Lawrence is fast becoming a favourite of tinseltown. In years past Hollywood has taken Oscar winners and tried to turn them into action/superheroes and failed (Hallie Berry, Catwoman; Charlize Theron, Aeon Flux; hell even Angelina Jolie in Tomb Raider to an extent), perhaps lack of success was down to poor script, a weak director, sub-standard supporting cast… Who knows.

ID_D37_14785.dngNow, however, it feels right. Lawrence feels right. Maybe the industry has just finally got its act together. I’ve been a fan of hers since Winter’s Bone and, for me, she’s not put a foot wrong (please Jennifer, stay away from run-of-the-mill rom-coms!). And with Francis Lawrence directing the concluding two-parter of this tale, it looks to be in most competent hands. President Snow, watch your back… And your front. In fact, just watch out. Katniss is coming, she’s mad as hell and she just won’t take it anymore.