With anticipation I settled down the other night to watch the first episode of season 2 of Homeland. From the first episode of its original season I was an instant fan.
To be honest I was sold on the concept before I even saw the show. It’s clear why, in today’s cut-throat world of US TV where shows get axed before they’ve even had a chance to get going, Homeland got the nod for a second outing, due to its intelligent plot, great cast, strong script, and the fantastic reception it received.
In fact, to go off subject for a second…
The amount of shows in recent times that seem to get built up immensely with a vast marketing campaign – so I subsequently watch and become invested in them – then get canned after one or two seasons is really beginning to annoy me. Some recent examples below:
- Terra Nova – massive hype around this and it gets cancelled after one series. Poor ratings and expensive production to blame. A shame, as there were some interesting characters developing. Maybe we’ve just seen it all before with Jurassic Park, Avatar etc. I did like one of the lead actors though, Jason O’Mara – reminded me of a young Mel Gibson.
- The Event – another show that didn’t last long, despite the hype. Perhaps it trod too closely to 24. Or with the constant jumps back and forth in time, it was trying to be Lost. Screenrant summed up its flaws well.
- Falling Skies – initially I’d heard a rumour it had been axed, but a third series has been confirmed. I’m pleased. It’s got some good characters and the story moves along at a decent rate to keep you engaged. Plus it’s got Moon Bloodgood – an actress who, if you took away the consonants, her name would be ‘oooooo’. Sorry!
I think shows like Lost changed the scope for what could be accomplished on TV. It raised the stakes and delivered a level of complexity that was perhaps new to audiences. That said, I think it’s also responsible for a lot of shows not getting a chance to play out. Like many others, I enjoyed the first two or three seasons. It then started to get weird, confusing and infuriating, with story strands, characters and teasing suggestions that were never followed up. I stuck with it to the bitter end, only to be greatly disappointed and relatively underwhelmed. I think, as a result, audiences don’t have the patience now. Or maybe they just demand more from their TV shows post-Lost. At least I do!
Anyway, mini rant over. Back to Homeland.
A large part of the success of this show is because it doesn’t pull any punches, it’s gritty and uncompromising – the back story told in flashbacks that fleshes out Brody’s character (the excellent Damien Lewis) is well told, suspenseful, and intriguing.
TV has moved on from 24 and Jack Bauer beating up anyone and everyone in sight. In much the same way that Pierce Brosnan’s James Bond moved on from slick, glossy CGI explosions to give us the raw, visceral and conflicted Daniel Craig.
Homeland shares more with shows like The Wire. Intelligent, complex yet not convoluted, but – most importantly – doesn’t paint a gung-ho, kick-ass picture of America, its politics and foreign policy.
In terms of casting, I was impressed. I’ve been a fan of Damien Lewis since Band of Brothers, which I could endlessly re-watch. For me, Claire Danes (as character Carrie Mathison) was the biggest surprise. I had this memory of her as a relatively unmemorable actress – at least in Romeo & Juliet and Terminator 3 – and she was a revelation, becoming progressively more unhinged as the story revealed itself. Damien Lewis played Brody perfectly. The slightest twitch of his eyes or change in mannerisms kept you constantly second-guessing his intentions.
So, finally, on to season 2, episode 1!
In terms of plot, Carrie, out of hospital having had treatment for bipolar disorder, is tentatively trying to rebuild her life. Brody is moving up the political ladder, from Congressman to possible Vice President. Brody then gets pulled back into Nazir’s world to once again do his bidding. Similarly, Carrie gets pulled back in by the CIA to make contact with one of her old sources that has information on an attack on America.
Brody’s life remains complex. His wife discovers – through their daughter – that Brody is a Muslim and reacts, shall we say, in an unsympathetic way. There is also an interesting relationship that’s begun to develop between Brody and his daughter (Dana) in the latter half of the first season, which has continued. Dana arguably talked him down from blowing himself up at the end of the first season and could be influential in his future decision making, particularly in terms of how Nazir sways him. We’ll have to wait and see.
Carrie continued where she left off in the first season, unhinged, erratic, but still driven by her job. There is a scene near the end of the first episode of this new season, where she is being chased by an armed man, disarms him and makes her escape, with a wild, manic glint in her eye. She remains an incredibly interesting character – and the one most able to foil any terrorist plot, despite her mental state.
So, there are many reasons to be upbeat about this new season. It hasn’t toned down – or more worryingly overdone anything. Many shows feel the need to make everything bigger and better the next time around. More of the same is in order, as there’s still lots of story to tell. It’s a refreshing show to watch and follow, I’m excited. If you haven’t got involved, get season 1 on DVD, catch up then join us all on season 2. If Homeland is good enough for Barack Obama, then it’s good enough for the rest of us!