Who loves a good chant?

rufio__oPtWhether it’s for comedy purposes or to build the tension in a thriller or horror, a nice memorable phrase repeated over and over has a certain unrelenting quality to it – something is going to happen and chances are it won’t be good for the person on the receiving end. Here are some of my favourites:

Warriors… come out to play!
Picture the scene in this 1979 cult classic, The Warriors: framed for the murder of Cyrus (the most powerful gang leader in New York) the Warriors battle it across the city to get back to their home turf on Coney island. Only to find their bitter rival, Luther – leader of the Rogues and the man who actually killed Cyrus – blocking their path and demanding a fight. Director Walter Hill masterfully cranks up the tension with Luther creepily tapping bottles together and chanting in a bizarre and deranged manner.


Rufio versus Pan

What’s the best way to make an entrance at the end of the ’80s/early ’90s? On a skateboard of course. Then onto a trapeze and into a backflip. Then draw a sword. Who wouldn’t want to be leader of the Lost Boys? Growing up, Spielberg’s Hook in 1991 was a treat and Rufio was super cool – every young lad wanted to be him. In these scenes Rufio makes his entrance and taunts Pan (Robin Williams), then loses to him in a battle of words; a point where Peter begins to believe and the Lost Boys switch their allegiance.


The greater good

Mmmm, a murderous cult. What we learn in this scene is that killing is ok if it’s for ‘the greater good’ and said in chanted unison. Here Sergeant Nicholas Angel (Simon Pegg) faces off against the town’s village council in Hot Fuzz (2007), having worked out that they’d been behind a slew of killings… all in the name of ‘the greater good’. Creepy, yet brilliantly funny.


Frank the tank

‘You know it! When it hits your lips!’ When Old School was released in 2003 it was a bit of a sleeper hit. The modern brat pack of Vince Vaughn and co were just getting going, but one man stood out beyond all others. Will Ferrell aka Frank the tank. Gaining his name downing beer at a frat party. Reminds me of that alcholic’s phrase, ‘one is too many, two is not enough.’


Kali Ma

Growing up most of us remember Indiana Jones and the Temple of Doom (great title); specifically the moment Indy witnesses human sacrifice with a guy getting his heart torn out. Quite horrific to watch as a kid, but mesmerising. Here’s an idea… Chant ‘kali ma’ in a creepy way whilst moving your hand towards a friend’s chest and see if they freak out.


Give him fur black as black

Hocus Pocus in 1993 was – and still is I guess – a bit of a guilty pleasure, with Bette Midler on fine form as the head of a coven of witches (one of which included a young Sarah Jessica Parker). In this scene early in the film she turns a young chap into a black cat with a nice little, suitably witch-y chant. ‘Give him fur black as black just, like, this.’


Beetlejuice… Beetlejuice… Beetlejuice

‘Jump in the line, rock your body on time. Ok, I believe you!’ There’s so many great scenes, songs and dialogue from this film. From the possessed dinner party chanting and singing ‘Day-O’ dance to the aforementioned ‘Shake Senora’ calypso finish, it’s movie gold. Beetlejuice is also let out to play by saying his name three times. Go on, try it.


You shall not pass

Not sure if this counts as chanting, more booming. But it’s Sir Ian McKellen as Gandalf against a Balrog, c’mon! I think just before his immortal line there’s a chant. I mean, I wouldn’t mess with someone that says they’re the servant of the secret fire, would you?

Silver Linings Playbook – smart, edgy rom-com

Seems David O. Russell is on a bit of a roll. Following a six-year break after I ♥ Huckabees, the Writer/Director returned in 2010 with a film which bagged him an Oscar nomination for Best Director, critically-acclaimed boxing tale, The Fighter.

SILVER LININGS PLAYBOOKHis latest effort, Silver Linings Playbook, is another triumph – dramatic, touching, funny and heart-warming. This is down to a smart script, assured direction and stand-out performances – particular from the two leads, Bradley Cooper and Jennifer Lawrence.

What’s it all about?
Pat (Cooper) is a history teacher with bipolar disorder, recently released from mental hospital following a violent outburst upon catching his wife with another man.  Despite suffering mood swings and having to contend with a restraining order, he’s convinced he can win back his wife. Then Tiffany (Lawrence) enters his life, herself a recovering sex addict, a condition brought about following the death of her husband.

The two initially bond discussing the types of medication they’ve taken – then begin to form an unlikely friendship. Pat asks Tiffany to give his wife a letter, hoping something which explains he’s getting his life back on track will rekindle their marriage. Tiffany thinks he’s deluded but agrees to help, but only if Pat helps her practice for a dance competition. We all know where this is going right?

silver linings playbookA tale of two wounded souls
Whilst the story may be nothing new – with the exception of the bipolar aspect – this film lives or dies by its leads. Both Cooper and Lawrence deliver career-best performances. For Lawrence, that’s saying something. She’s already had an Oscar nomination for her performance as Ree Dolly in Winter’s Bone. Here, her latest offering looks likely to get another Best Actress nomination, possibly even a win.

Cooper was surprisingly impressive. All twitchy, unfocused energy with a blunt, direct nature and an imposing presence. You get the sense this is a guy capable of violent outbursts, but really trying his hardest to hold it all together. He also brings comic timing to the character, helping balance out the darker moments. Easily his best work to date. That said, his performance alone would not have lifted the film to the heights it achieved.

silver linings lawrenceLawrence the silver lining
The secret weapon of this film – or true silver lining if you like – was Tiffany. Once again, Lawrence showing the depth of her talent. She’s just astonishing. Obviously there’s a sizeable age gap (Lawrence was 21 during filming, Cooper 37), but she displays a maturity beyond her years – making the attraction between the two wounded souls of Tiffany and Pat wholly believable. She gives Tiffany a wildly unpredictable nature – often switching instantly between vulnerable, raw and conflicted, to steely, fiery and determined. This tends to break down Pat’s defences, leaving him utterly confused, poor chap.

Does this better her performance in Winter’s Bone? Perhaps not, but it more effectively displays her talents and range as an actress – marking her out as one to watch with great interest in the future.

Silver Linings Playbook De NiroDe Niro the dad
As a final note, it’s worth mentioning De Niro, playing Pat’s dad. Another flawed soul with a touch of OCD, cut from the same cloth as his son. It’s arguably his best performance in a long time.

In some of his more comedy-driven roles in the last few years he’s probably overplayed it, to a degree. Here he pitches it perfectly. David O. Russell really does seem to get the best out of the the actors at his disposal, even if he’s known for sometimes rubbing them up the wrong way.

To sum up, Silver Linings is a smart, quirky, dramatic rom-com that tackles some tough issues (marriage, mental health), however it’s buoyed up by a smart script and strong performances – with Lawrence showing that Winter’s Bone was just the start of her ascendancy.