Logan: sad, beautiful and final

James Mangold is a compelling director; in that a lot of his work has real emotional depth and nuance, and often benefits from repeat viewing. And he’s kind of underappreciated. I mean, Girl, Interrupted, 3:10 To Yuma and Walk The Line all had him at the helm. And yes, granted, he’s also got The Wolverine on his… Continue reading Logan: sad, beautiful and final

A Monster Calls: deeply sad and moving

Quality over quantity. That seems to be how Spanish director Juan Antonio Bayona has approached his career thus far. His first feature length was The Orphanage (2007), then the immensely sad The Impossible (2012), which was a critical and commercial success. And now, at the start of the new year, he gives us likely Oscar… Continue reading A Monster Calls: deeply sad and moving

Joy: Lawrence adds strings to her bow

Let’s say, in some other reality, Jennifer Lawrence hadn’t met David O. Russell and her career had (thus far) just been built upon an impressively gritty debut (Winter’s Bone) and a teen action franchise (Hunger Games), would we hold her in such high regard? I rather doubt it. And this really isn’t a dig, but… Continue reading Joy: Lawrence adds strings to her bow

Team Gleeson: It’s a family affair

Whoosh, a wisp of fire. Fiery red hair to be precise. First came Brendan, entertaining us with many rambunctious performances (I say entertaining like he’s done, he’s going from strength to strength). Then came Domhnall, son of Brendan, himself having enjoyed a rather varied career up till now, spanning comedy, romance, action, quirky indies and… Continue reading Team Gleeson: It’s a family affair