Is Darren Aranofsky modern cinema’s Noah?

There’s no denying Darren Aranofsky is a unique filmmaker. Prior to Noah his most accessible work (if you can call it that) was probably The Wrestler followed by Black Swan, the latter which – let’s face it – had many moments of ‘out there’ insanity. Audiences expecting more of the former kind of storytelling will… Continue reading Is Darren Aranofsky modern cinema’s Noah?