Is Darren Aranofsky modern cinema’s Noah?

There’s no denying Darren Aranofsky is a unique filmmaker. Prior to Noah his most accessible work (if you can call it that) was probably The Wrestler followed by Black Swan, the latter which – let’s face it – had many moments of ‘out there’ insanity. Audiences expecting more of the former kind of storytelling will… Continue reading Is Darren Aranofsky modern cinema’s Noah?

Andy Serkis and the case for motion capture

Ok, ok, I know it’s been done, but I want to present my case for the use of motion capture. I suppose the reason for this is I recently saw two films which I felt, really help its case: Rise of the Planet of the Apes and The Adventures of Tin Tin: Secret of the… Continue reading Andy Serkis and the case for motion capture