I don’t know what it is about stories that focus on investment banking, but I kind of dig them. Industry (2020) is an HBO-BBC co-production that focuses on a group of young, sexy graduates trying to forge their careers at a London investment bank called Pierpoint & Co.
Hands up, who’s into post-apocalyptic when it comes to movies and TV shows? I know I am. Idly browsing Netflix the other day I stumbled on a new ones, Tribes of Europa (2020). A German show, with a mix of German and English dialogue, it’s set in our world, in the near future of 2074 and after the collapse of society.
After getting lambasted by angry man-babies for his attempt to do something very slightly different with Star Wars, you could forgive writer-director Rian Johnson if he decided he wanted to retreat to the hills never to make a movie again. However, the best thing you can do, with most setbacks in life, is to get… Continue reading Knives Out: a twisty, hilarious tale from Rian Johnson
This show, about how the FBI came to profile and understand serial killers, has been on David Fincher’s radar for quite some time in various guises and, such is the way these days, has languished a bit in development hell until Netflix picked it up. Which is actually the perfect place for it. Now for… Continue reading Mindhunter: season one review
So Spidey is back – and now with added baby-faced Tom Holland. Back in the day Tobey Maguire had three goes at the role with Sam Raimi directing: Spider-Man (2002), Spider-Man 2 (2004) and Spider-Man 3 (2007). Then Andrew Garfield had a crack with Marc Webb in charge: The Amazing Spider-Man (2012) and The Amazing… Continue reading Spider-Man: Homecoming – review
So Netflix have a new show out from the creators of ‘Orange is the New Black’. And I have to say, when I first saw it I thought it looked cool. It’s set in the 80s, everyone has big hair and bad ass neon costumes, and most of the characters are women who are trying… Continue reading Glow: ladies, wrestling and Alison Brie
Sitting in the pub with my partner after having just seen Wonder Woman, we got down to the tricky job of dissecting the latest DC offering in a balanced way, lest we get carried away with the hype. (I say we, I’d better recuse her from this review henceforth – as all these opinions are… Continue reading Wonder Woman: a review
James Mangold is a compelling director; in that a lot of his work has real emotional depth and nuance, and often benefits from repeat viewing. And he’s kind of underappreciated. I mean, Girl, Interrupted, 3:10 To Yuma and Walk The Line all had him at the helm. And yes, granted, he’s also got The Wolverine on his… Continue reading Logan: sad, beautiful and final
Zap! Crash! Whack! That’s how the old Batman TV show went. And, in 2016, you could say nothing much has changed. At least near the end of Batman v Superman: Dawn of Justice…
Where does one begin with The Leftovers? It’s safe to say it’s like no other show out there. For sure, it has shades of other shows, mostly drama. But there’s a lot in there, and a lot that’ll go over your head (it did mine). It’s also maddeningly infuriating too. As viewers and consumers and… Continue reading The Leftovers: season two review