spider man

Spider-Man: Into the spider verse – review

First things first. Where did this film come from? All of a sudden, there it was. My spidey sense did not tingle, I was basically caught fully unawares. Although, as far as surprises go, this was quite a welcome one.  When this came out some people questioned whether we needed yet another Spider-Man movie. However this was quickly put to bed as many have since said that this is quite possibly the best iteration of of the character so far. In your face live action movies, animation has beaten you to it!

The setup goes: young teen Miles Morales (Shameik Moore) gets bitten by a trippy psy-trance spider and then stumbles on the actual Spider-Man (Chris Pine) in the middle of a fight with a bunch of bad guys, led by Wilson Fisk aka Kingpin (Liev Schriber).

Fisk has a plan to create a rip between dimensions so can bring back his lost loved ones. However, his first attempt doesn’t go to plan, Spider-Man stops him, albeit temporarily. What does occur, though, is the momentary dimensional rip causes a number of alternate reality Spider-heroes to be sucked into the same dimension as Miles. And with the Spider-Man of Miles’ dimension unable to continue the fight, it’s left to Miles to take up the mantle.

With great power and all that…

Now this film was written by Phil Lord of Lord and Miller, the guys behind The LEGO Movie and 21 Jump Street. So in terms of bucking convention and getting a bit trippy, they’ve got you covered. Well, Phil Lord does. I am sure Miller was busy elsewhere.

Generally speaking, this film delivers way beyond expectation. In that there was no expectation. And so, no pressure. Often the best films turn up that way, completely out the blue. The sheer invention, wit and detail on display here was a joy to experience. The film takes real risks and pushes the formula of what a superhero movie should be in a way that live action just cannot match.

I’ve read that the filmmakers wanted you to feel as if you were within a comicbook and they’ve really achieved that – we get dialogue boxes popping up when characters are thinking certain things, as well as little visual flourishs that nod to their emotions, plus split panels across the screen that chop up the action.

And it’s all done so lovingly.
From a storytelling, character, and cinematic point of view it hits the mark on all levels.

Add to that it’s also very funny.

Hopefully this won’t be the last we see of Miles Morales. The question next though will be, can Phil Lord and co pull off that difficult second album?

Spider-Man: Homecoming – review

So Spidey is back – and now with added baby-faced Tom Holland. Back in the day Tobey Maguire had three goes at the role with Sam Raimi directing: Spider-Man (2002), Spider-Man 2 (2004) and Spider-Man 3 (2007). Then Andrew Garfield had a crack with Marc Webb in charge: The Amazing Spider-Man (2012) and The Amazing Spider-Man 2 (2014).

And each, arguably, suffered from the law of diminishing returns. Spidey wasn’t dead but he had been battered pretty thoroughly. Then he popped up, teasingly, in Captain America: Civil War (2016), played by a young Tom Holland. And everyone loved his – albeit short – take on the character. Seems Spidey had returned and this time he was part of the MCU.

Hooray, this felt fresh and well-timed.

So we get Spider-Man: Homecoming a year later. Now some say this version of our arachnid hero is the best yet. Not just because having a younger actor play the role REALLY works and makes more sense (he’s supposed to be a schoolkid), but also because Tom Holland just seems a better fit as an actor than Maguire, and certainly Garfield.

Because, frankly, Holland plays to his strengths, making him cocky and intelligent yet vulnerable and with a big heart, which, naturally, brings him to Tony Stark’s attention. For you see, with Homecoming, he’s very much Tony’s protégé, with Tony a sort of tough love father figure towards Peter.

And as part of that tough love, after helping Stark out in Civil War he gets cuts loose, and told to basically stay out of trouble until he’s called upon, with Happy (Jon Favreau) his reluctant minder.

During which time hard-as-nails salvage guy Adrian Toomes (Michael Keaton) is nicking alien artifacts found during the aftermath of the chitauri attack on New York and turning them into weapons – and in doing so becomes the Vulture.

So little Peter has to prove he’s got what it takes to bring Toomes down, change from boy to man, and prove his hero status to become a fully fledged Avenger.

Which is all well and good. But the nice touches for me in this film come from things we’ve not seen before. THANK GOD the filmmakers didn’t show us how Peter got his powers and came to live with Aunt May. We’ve seen it so many times. Save for a quick line about being bitten by spider and how his aunt has been through a lot, that’s it. Great, let’s move on.

More thought along similar lines has also gone into Peter’s suit. As it’s made by Stark it comes complete with gadgets galore and a PA, but with a little twist to contrast Iron Man’s JARVIS. So from the types of web he can use (grenade, taser) to the suit’s modes (kill, surveillance), it adds a lot more to Spider-Man in terms of his capabilities as a hero and how he can fight.

Yet, as Tony points out, he needs to be a hero without the suit (much like Tony’s own journey in Iron Man). So there’s a couple of pivotal – and fairly emotionally weighty – scenes where we get to see what Peter is really made of. And it helps, of course, to have a worthy foe, because in Michael Keaton we get both comic book pedigree (Batman, Birdman) and oodles of charisma, where he can flip from charm to menace at the drop of a hat (he should really play baddies more often, it suits him).

Ultimately, it’s great that Spider-Man is with Marvel now. Sony, for all their efforts, never really found their groove with this character. And given the fact that Marvel just continue to go from strength to strength as they expand their universe, it’s encouraging that Spider-Man is now a part of that. Roll on Thor: Ragnarok.

Captain America: Civil War – review

Let’s make something perfectly clear – or at least less muddy. This film is not an Avengers movie, it’s a Captain America one… inasmuch as he’s the focus and both antagonist and protagonist. But then, so is Tony Stark. So maybe it’s a Captain America versus Iron Man movie, with their respective teams in tow?

In any case, it’s all gotten a bit more serious…. more DC maybe, less Marvel. Perhaps this is right in this instance, for here the plot picks up strands from Steve Rodgers’ prior outings, as well as further mining the depths of Tony Stark’s inner torment, following everything he’s been through; including accidently creating Ultron as force for bad rather than good.

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And so we have a bit of playing against type – or role reversal – in that rebellious playboy Stark supports legislation to make our heroes accountable to the U. N., but Rodgers – a man who you’d safely bet would be on the side of the establishment – is firmly in the opposite camp. Mostly because he wants to protect his friend Bucky – the Winter Soldier who keeps getting into trouble – but also because he feels legislation clips the wings of the Avengers, stopping them from doing what they do best without the need for red tape.

So we have some nice, meaty motivation for our two main dudes, pitting them against each other. Each a titan with his own loyal followers, and so with Civil War we get some old names (Black Widow, Hawkeye), some newer but fairly established ones (War Machine, Falcon, Ant-Man, The Vision, Scarlett Witch) and some fresh blood (Spider-Man, Black Panther).

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They fly, they swoop, they shrink, they grow and they scrap their little heart’s out.

And it’s a blast.

Then, on the periphery of all the infighting we have an actual bad guy (Daniel Bruhl) who goes rather unnoticed for the most part. But he’s not the main focus, so it’s ok. He does the job he needs to do at the times upon which he’s called, but it’s Cap v Iron Man we’ve come to see really… that and the interplay between almost all of Marvel’s superheroes (except Thor and Hulk who’ve gone AWOL and the Guardians of the Galaxy lot) in one giant dust-up, plus a few other skirmishes along the way.

To do this and not give the audience a headache is really quite masterful on the part of the Russo brothers; who are really getting into their stride directing these days.

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That said, there’s a point where the movie is in danger of becoming too po-faced and serious for its own good. Thank God that, at that point, Paul Rudd’s Ant-Man and Tom Holland’s Spider-Man turn up to take the edge off most pleasingly.

Lest we forget that Marvel’s strength tends to be in light-hearted banter amid the mayhem, so it’s good that they didn’t go too far down the DC path, past the point of no return at least.

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At the end of the day we all know people in costumes are somewhat ridiculous, so it’s important to burst the bubble at regular intervals – and the final third of the movie moves into much more welcome territory. Overall, it may actually be the best Marvel film yet (I’ve yet to see Ant-Man, but from the scenes in this film it has to be on my ‘to watch’ list in the near future).

And as a final thought, props to the filmmakers for how they’ve portrayed Black Panther. With his cat-like reflexes, sharp claws and black suit he’s got to be up there as one of the coolest superheroes we’ve seen in a while. A solo film following this character would be a pretty savvy choice bet I’d say.

Roll on the next one…

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Marvel – masters of the cinematic universe

avengers natasha romanoff

For this posting I’d like to discuss the evolution of the Marvel universe. I recently – finally – got around to seeing The Avengers. Or, as it’s known in the UK, Avengers Assemble (damn you, Steed).

I have to say, having unavoidably seen and heard many reviews, I was worried I wouldn’t enjoy it and be expecting too much. Would it live up to the hype? Would it feel rushed/crowded with so many larger-than-life characters jostling for screen time? Well, much like everybody else, I found it thoroughly enjoyable. Great pacing, great action, great characters, great dialogue.

avengers natasha romanoffPlus all the Avengers were given – more or less – an equal amount to do, including the new characters: Jeremy Renner’s Hawkeye and Scarlett Johansson’s Black Widow. The latter unsurprisingly well written, given writer/director Joss Whedon’s affinity for strong, female characters (Buffy et al).

So, before this becomes an Avengers review, back to the subject in question. I had a vague awareness of the fact there’s been quite a few films over recent years that have come out of the Marvel studio. However when you really look, it seems like an unstoppable wave. To name the live-action films we’ve had since 1998:

  • 5 X Men (2000, 2003, 2006, 2009, 2011)
  • 4 Spider Man (2002, 2004, 2007, 2012)
  • 3 Blade (1998, 2002, 2004)
  • 2 Iron Man (2008, 2010)
  • 2 Hulk (2003, 2008)
  • 2 Fantastic Four (2005, 2007)
  • 2 Ghost Rider (2007, 2012)
  • 1 Thor (2011)
  • 1 Captain America (2011)
  • 1 Avengers (2012)

I’ve left off the experiments that were Daredevil, Elektra and Man Thing, simply because they weren’t hugely successful and it’s unlikely there will be a follow up to any of these in the near future. Therefore I’m only including films where the characters have appeared more than once in the Marvel cinematic universe. So, from 1998 to 2012 (that’s 14 years, keep up), we’ve had 23 films. That’s 1.6 films a year! I’m not sure if what I’m expressing here is good shock or bad shock? Perhaps both.

snipes dorff bladeLooking ahead
I suppose, with this sort of prolific output, you’ll have successes and failures. In recent years, they’ve begun to have more of the former, both critically and commercially. For every mediocre Daredevil or Fantastic Four you’ll get a decent Spider Man or Blade.

Or, if you’re really lucky, strike complete gold and unearth Robert Downey Jr. A man born to play Tony Stark. Don’t believe me? Watch some of his early work, like Natural Born Killers. Check out this classic scene. For me, if you take his character there, throw in a little Kiss Kiss Bang Bang and Tropic Thunder, you’ll get Tony Stark. Perhaps a leap but it makes sense to me!

Don’t stop us now
With recent successes of the Avengers’ characters, both in their ensemble film and stand-alone outings, the plan for Marvel films over the next few years is looking quite exciting. Next year we’ll get a second from the blonde Asgardian, Thor: The Dark World and Iron Man 3.  In 2014 we’ll have, Captain America: The Winter Soldier, plus – most intriguingly – a massive departure from the norm with Guardians of the Galaxy. A film which has a sentient tree and a raccoon with a gun as main characters.

I can’t say I’m excited about this one…yet. Although I do approve of the concept art above. What I like is that you cannot accuse Marvel of resting on their laurels or playing it too safe. That, in itself, is reason to be quietly optimistic. But I guess we’ll see. Oh, and there’s also a second Avengers due out 2015, just in case Guardians doesn’t go as planned.

Defenders of the universe
So, on the whole, I think it’s great Marvel are mixing it up. Yes, they’re putting out films for a lot of their mainstream superheroes, but they’re safer bets. Keeps the money coming in. They could just sit on that but, like any industry, if you’re not moving forward you’re doing the opposite.

So introducing a new host of characters is brave, yet wholly necessary. Eventually we’ll get sick of superhero films and want westerns or zombie films for a few years or something. But, if Marvel keep freshening things up, maybe we’ll stay a while longer. Maybe a character called Rocket Raccoon is just what’s called for – long live diversity!