Sin City 2: So who’s the dame?

jessica alba

Imagine the scenario. It’s been seven years since the first Sin City and the wheels are finally in motion for the follow up, however Rodriguez’s patience is wearing thin. Word is that cameras started rolling a few days ago, yet there are still parts to be cast. Myself – like many fans – were probably wondering why it’s taken seven years.

I suppose Miller’s failure with The Spirit meant he had to ‘take a break’ for a few years, at least until a studio were willing to back him again. I’m not sure I entirely buy that as sole reason for delay. Rodriguez directed the original and I’m sure he’ll be directing this one, particularly since his Barbarella remake stalled. Miller’s role has always been the script and – to a degree – the casting. So who knows why it’s taken this long. Best not dwell, let’s look at the story.

a dame to kill forA dame worth killing for
In terms of plot, the story takes place after the death of Hartigan but before some of the events of the first film. The story focuses on Dwight, who takes revenge on a woman who betrayed him, Ava Lord, the Dame.

At the same time, Nancy is trying to come to terms with the death of Hartigan (Bruce Willis), the man who saved her from Yellow Bastard in the first film.

In terms of script Miller has not been idle. He’s spent time ensuring there are no loose plot strands and that both films will mesh together effectively. With William Monahan, Oscar winning script-writer for The Departed, assisting on the final draft.

Last call for casting
Goldie (Jaime King) is on board and we’ve got a new deadly, little Miho (Jamie Chung). This is encouraging as Miho is meant to have a bigger part in A Dame to Kill For and Jamie Chung (Sucker Punch) is a bit of an up-and-coming actress.

jessica albaUsual suspects are all back: Marv (Mickey Rourke), skinny little Nancy Callahan (Jessica Alba), Bob (Michael Madsen), Gail (Rosario Dawson), and of course Dwight (Clive Owen). Dwight’s character undergoes facial surgery in this storyline, so it’s possible there will be another actor playing Dwight pre-surgery.

Sadly, actors Michael Clarke Duncan and Brittany Murphy passed away in the seven years between these two films. Their characters, Manute and Shellie, will have to be replaced and have yet to be cast.

So who will play Ava Lord?
Rodriguez and Miller’s original choice Angelina Jolie – whom I’ve spoken about in the past – is out of the picture, tied up with Disney’s Maleficent. She’s clearly going to be brilliant in that, but it is a kid’s film. She was born to play the ultimate femme fatale.

As a fan of Angie I reserve the right to act like a toddler and stamp my foot and demand she quits and heads straight to Rodriguez’s studio in Texas. Sadly it’s not going to happen.

Sin City 2She smells like angels ought to smell
Actresses that have their names in the hat to play Ava Lord include Salma Hayek, Rose McGowan and Rachel Weisz. For me, the latter is the most interesting. She’s never really played a full-on, seductive temptress but I think she’d be outstanding. Salma Hayek would slip pretty effortlessly into the role – anyone that’s seen her snake dance in Dusk Till Dawn would agree.

However, I have a feeling the role will go to Rose McGowan. For me, she’s the biggest unknown in terms of whether she’ll excel as Ava Lord. Whoever it ends up being, I’m sure they’ll be a revelation. We just need to wait 11 months to find out!

My top 10 supercool film soundtracks

  1. the life aquaticThe Life Aquatic
    (Wes Anderson)
    Two reasons this is my top choice, Seu Jorge and David Bowie. Seu Jorge’s take on Bowie tracks perfectly complemented the film. Standouts for me include his versions of ‘Life on Mars’, ‘Space Oddity and ‘Rebel Rebel’. Oh, and ‘Changes’, it’s beautiful.
  2. Pulp Fiction (Quentin Tarantino)
    It’s hard to select just one Tarantino film soundtrack, most of his films have outstanding music to set the scene. If pushed for an alternative I’d probably say Kill Bill 1, then Reservoir Dogs. Pulp Fiction takes this one though, with use of Al Green, Dusty Springfield, Kool and the Gang, and many more.
  3. Goodfellas (Martin Scorsese)
    Jimmy ConwayThere’s detail here about how Scorsese only used songs that commented on the scene in question in some way. From Tony Bennett’s ‘Rags to Riches’ in the opening credits, the main character’s story is introduced. An absolute favourite scene is where Jimmy is considering whacking Morrie and Cream’s ‘Sunshine of your Love’ kicks in. Impossibly cool.
  4. Lock, Stock and Two Smoking Barrels (Guy Ritchie)
    When this film appeared in 1998, the soundtrack was key to its appeal. ‘Spooky’ by Dusty Springfield, ‘Police and Thieves’ by Junior Murvin, ‘Walk this Land’ by EZ-Rollers, ‘Why did you do it’ by Stretch, ‘The Payback’ by James Brown, ‘Fools Gold’ by Stone Roses. Outstanding.
  5. corey and ginaEmpire Records (Allan Moyle)
    A mid 90s film about a group of slackers who work in a record store. It’s a really sweet film, never fails to perk me up if I’m down. There’s so many songs in it too, from the Gin Blossoms and Cranberries, through to Coyote Shivers and Better than Ezra. Check the playlist here.
  6. Trainspotting (Danny Boyle)
    Killer soundtrack, kicked off with Iggy Pop’s ‘Lust for Life’ and never let up. Raw, gritty and very 1990s, with Blondie’s ‘Atomic’ for the sexy nightclub scene, and Lou Reed’s ‘Perfect Day’ overdose scene; tracks selected helped key scenes pack a massive punch.
  7. Juno (Jason Reitman)
    Super sweet indie film with lovely little songs throughout. Watch the opening credits theme song, with its quirky animation, it sums up the film. Actress Ellen Page – who played Juno – suggested to the Director her character would listen to The Moldy Peaches.
  8. natalie portman zach braffGarden State (Zach Braff)
    Another sweet indie film, powered along by the warm little centre that is Natalie Portman’s character. It also included lovely, quirky music by The Shins. If you don’t like this band then you have a heart of stone.
  9. The Departed (Martin Scorsese)
    Despite his body of work, this is the first film to win Scorsese an Oscar. I think the phenomenal soundtrack throughout might have helped. The Dropkick Murphys ‘Shipping out to Boston’ fits perfectly. There’s also the Rolling Stones and Pink Floyd, for good measure.
  10. Snatch (Guy Ritchie)
    brad pittI’m going with another Guy Ritchie film. Along with The Stranglers ‘Golden Brown’ and ‘Dreadlock Holiday’ by 10cc, this had Madonna, The Specials, The Herbaliser, Oasis and – most impressively – ‘Angel’ by Massive Attack. Watch this scene, powerful stuff.

Looking back through this, I’ve realised it’s a mostly a mix of gangster and quirky, indie films. I’m comfortable with that. It reflects my film tastes, in terms of how music has influenced my love of a particular film at least. There was a lot of films that didn’t make the cut, but it’s a top 10 list, you have to be ruthless.

Use of music in film
I think there’s two routes you can go when using music to complement your film. Either have the music interwoven with the whole theme and tone of the film (think Wes Anderson, Jason Reitman). Or use individual songs to give particular scenes an emotional wallop (Martin Scorsese, Guy Ritchie).

Tarantino the wildcard
An interesting exception to the rule – for me – is Tarantino. Mostly I think he follows the Scorsese approach. However, if you take Kill Bill 1, he uses RZA from Wu-Tang Clan to produce the soundtrack, which weaves perfectly through the film.

‘The Lonely Shepherd’ by Gheorghe Zamfir is such a perfect song for this film. East meets West, pan pipes moving into spaghetti western. RZA heard this eating in a Thai restaurant. Not hard to believe. Similarly Tarantino heard ‘Woo hoo’ by the 5.6.7.8’s just as he was about to leave a shop in Tokyo. He persuaded the shop to sell him the CD and then got the band to appear in the film.

Anyway, I’m going off topic. This probably just proves Kill Bill should really be in my top 10 list. The Hattori Hanzo scene is a true classic and really should have convinced me of this. I humbly beg your forgiveness and ask that it be included as a wildcard.

Kill Bill