Ben Affleck: a directorial phoenix emerges!

the town

I’ve had a disastrous morning. Not the most upbeat way to start a post, but hang in there. I dropped a full jar of honey on the floor which shattered. Honey and glass is impossible to clean up. Then banged my heel in the shower, spilt hot tea on my leg, lost half my breakfast in the toaster – the part I salvaged I managed to push off my plate onto the table with aggressive cutting!

And so, on to this post. As you might guess it’s about Affleck’s rise from the ashes of an acting career to become a directorial force to be reckoned with – much to the surprise of many. The reason for mentioning my morning mishaps is I hope this piece becomes my salvation – that I rise from the flames resplendent, with no more disasters for the rest of the day. I want to become the phoenix! Ahem, let’s move on.

So last night I watched Gone Baby Gone – another ‘been on my list for a while’ film. As expected, it’s really good. I’ve ended up watching the films Affleck has directed in reverse order, having seen The Town a while ago. Both are set in Boston and deal with crime and family. Both are brilliant – suspenseful, thrilling and wholly engrossing throughout.

gone baby goneGone Baby Gone (2007)
If you’ve not seen this, it’s a crime mystery drama based on a book by Dennis Lehane – author of two other titles that have been turned into impressive films, Mystic River and Shutter Island. The latter superbly directed by Scorsese and features a career-high performance by DiCaprio.

In terms of plot, it features Casey Affleck (Ben’s younger brother) as a private investigator hired to find a missing girl. Faced with the challenges of working with distrustful cops (Ed Harris and Morgan Freeman), drug dealers and other lowlifes – his relationship with his co-worker and partner Angie (Michelle Monaghan) becomes strained as the investigation progresses. There are twists, turns and revelations and, whilst the plot is complex, it’s worth paying attention to the end.

Affleck (senior) gives the Boston setting a grittiness and believability and gets a great performance out his younger brother. Who said siblings can’t work together? I’ve had my doubts about Casey Affleck, he’s always seemed quite a closed book in terms of being an expressive actor. Now I understand his appeal. He gives a truly impressive performance, particularly showing suppressed emotion – one of the hardest things to convincingly portray for an actor. He’s also highly believable as a normal Boston guy in a tense, dangerous situation. The action never feels fake or Hollywood, a lot of this is down to Casey’s talent as much as older brother Ben’s direction.

This film suffered a little on release due to the subject matter and art imitating life, particularly in the UK where the disappearance of a girl that looked almost identical to the one in the film meant release was pushed back. This should take nothing away from it, this is a well told, well acted, well directed film – particularly from a debut Director.

Incidentally, if we’re talking Lehane adaptations, it’s worth noting that it’s less depressing than Mystic River and not as thrilling or scary as Shutter Island – sitting perhaps inbetween the two as a good, solid crime mystery. Worth your time.

The Town (2010)
Is this a companion piece to Gone Baby Gone? Maybe it should be packaged up as a Boston crime trilogy boxset with The Departed? Anyway, Affleck’s directorial debut set him up nicely to direct this tale of bank-robbing in the heart of Boston’s Charlestown – a place that accounts for over 300 robberies a year.

As well as directing, Affleck starred as the leader of the gang who decides to keep watch on bank manager (Rebecca Hall), as she could potentially identify him following his gang’s last job. As he begins to fall for her romantically he has to deal with volatile partner (the excellent Jeremy Renner) and evade capture from FBI detective (John Hamm).

the townFor me, this film had a lot of similarities with Michael Mann’s Heat, or the opening robbery sequence in Chris Nolan’s The Dark Knight. At least in terms of epic, realistic gun battles in broad daylight and the cat-and-mouse game between cop (Hamm) and robber (Affleck). High praise you might say, but justified.

How Affleck found the time to act in this as well as get great performances out of a cast including Blake Lively, Rebecca Hall, John Hamm and Jeremy Renner I’ll never know. Renner was astonishing – all coiled up, explosive rage and intensity.

If you compare Affleck’s two directorial outings so far, I prefer The Town. It’s a simpler story than Gone Baby Gone, but more exciting and thrilling. Both are very good films though. Which leads us on to Affleck’s latest…

Argo (2012)
Hard for me to say too much about this as it’s only just come out at the cinema. The plot tells the story of a real life CIA mission in 1980 to rescue six American diplomats from revolutionary Iran, by posing as a Canadian film crew and staging a fake film in the country.

It’s got an interesting cast. As well as Affleck, it includes Bryan Cranston (from TV show Breaking Bad), John Goodman and Alan Arkin. Quite a departure from Affleck’s first two films, so it will be interesting to see how he handles it.

I’ll finish with the trailer below so you can judge for yourself. First impressions suggest it’s positioning itself as a serious thriller with comic elements. Almost like a grown-up version of Ocean’s Eleven. What do you think?

Who are the top 20 most intense actors of recent times?

charlie bronson

I do like an intense character and performance when I’m watching a film. Someone who literally rivets and welds you to the screen, look away at your peril. Some people probably like their films bright and breezy. I don’t mind those too, but there’s something about intensity that leaves a lasting impression. You remember those performances.

As such I thought I’d offer a couple of lists of actors and actresses that have had me mesmerised, entranced and – at times – a little frightened. I’ve most likely left off a lot of vintage performances and characters, but this is MY list so I’m allowed. Let me know your thoughts. Who would you have liked to have seen included?

In these lists I’ve put links to clips from some performances you might not have seen before, or maybe just want to revisit. Remember though, best not watch alone though, these lot are intense!

The guys

  1. charlie bronsonDaniel Day Lewis (Bill ‘the Butcher’ Cutting, Gangs of New York; Daniel Plainview, There will be Blood)
  2. Heath Ledger (The Joker, The Dark Knight)
  3. Tom Hardy (Charles Bronson, Bronson)
  4. Christian Bale (Patrick Bateman, American Psycho; Batman, The Batman Trilogy)
  5. Kevin Spacey (John Doe, Seven)
  6. Christopher Walken (Vicenzo Carcotti, True Romance; Frank White, King of New York)
  7. Javier Bardem (Anton Chigurh, No Country for Old Men)
  8. Christopher Waltz (Col. Hans Landa, Inglourious Basterds)
  9. Vincent Cassel (Jacques Mesrine, Mesrine)
  10. Liam Neeson (Bryan Mills, Taken)
  11. Jeremy Renner (Sergeant William James, The Hurt Locker; Jem Coughlin, The Town)
  12. Gary Oldman (Drexel, True Romance)

The gals

  1. helena bonham carter harry potterHelena Bonham Carter (Red Queen, Alice in Wonderland; Bellatrix Lestrange, Harry Potter)
  2. Cate Blanchett (Galadriel, Lord of the Rings)
  3. Marion Cotillard (Mal, Inception)
  4. Angelina Jolie (Lisa Rowe, Girl, Interrupted)
  5. Melanie Laurent (Shosanna Dreyfus, Inglourious Basterds)
  6. Charlize Theron (Aileen Wuornos, Monster)
  7. Famke Janssen (Xena Onotopp, Goldeneye; Jean Grey, Xmen: The Last Stand)
  8. Noomi Rapace (Lisbeth Salander, Girl with the Dragon Tattoo)

So, there’s my list. You’ll notice there’s more men than women, I’m not sure why. I think, perhaps, there’s a tendency – particularly in Hollywood – for studios to shy away from films with intense, female leads. I wonder if they are more of a risk commercially? I don’t think that’s the case. I think it’s more to do with a lack of decent scripts for women, ones that don’t play to stereotypes.

One thing I’ve noticed is how top actors portray intensity – for me – it’s in the eyes. I think it’s what separates great actors and actresses from the rest. If you allow yourself to be drawn into their gaze, there’s so much depth there. Depending on the character they’re playing, it can be equally exciting, captivating and terrifying. Watch Pacino in The Godfather, making the decision to kill with his eyes. A lesson in intensity.

Right, I need to go watch some comedy now to level out. It’s all got too much. I’ll finish with artwork of Marion Cotillard, not because it’s intense, but because it’s simply beautiful – and that’s all the reason you need.

Marion Cotillard artwork